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Film Screening on Sunday, July 19
7:00 – 8:30pm (please come on time; we will start promptly 🙂 )

Part of the “Caring Histories” program at Mental Health Arts Space

All welcome! No registration necessary. Bring your friends and family! BIPOC to the front! 🙂

“Rituals of Care” is an evening that gathers us around the quiet, insistently political work of tending to ourselves and to one another. Through intimate gestures and everyday rituals, we are invited to witness how care becomes a language of survival, a choreography of relation, and a practice of world-making in the midst of our current permacrisis. Foregrounding the lives, stories and experiences of African and Afro-diasporic protagonists in Berlin, the two films will form the basis of a Q&A and conversation with filmmaker Nnenna Onuoha.

 

“Wash Day” | dir. Nnenna Onuoha | HD, stereo and 5.1  | 27 mins | 2021 | English with German and English Subtitles

 

In “Wash Day”, three Afrodescendent women living in Berlin go through their wash day routines and rituals. As they care for their hair: choosing products, washing, detangling, braiding, cutting, dyeing etc. they discuss how their relationship to it has changed over the years.

 

“Rituals” | dir. Nnenna Onuoha & Edna Bonhomme | HD, stereo | 17 mins | 2020 | English with German Subtitles

 

Chronicling the care practices of three Black Berliners – Caritia, “a BDSM practitioner, domina and sex worker,” Lee a “gender-terrorist, yoga instructor” and Goitseone, “a pessimistic witch,” and “Twa Sana (Light of a New Moon)” rituals consists of a twenty-minute documentary video and a twelve-piece photo-series. In the video, describing their respective experiences as Black bodies in the German health care system, Lee, Caritia, and Goitseone also demonstrate some of the ways in which they find healing for themselves and for others outside.

Nnenna Onuoha is a Ghanaian-Nigerian researcher, filmmaker and visual artist based in Berlin, Germany. Her research explores monumental silences surrounding the histories and afterlives of colonialism across West Africa, Europe and the United States, asking: How do we remember, which pasts do we choose to perform, and why? Her work has shown at the Museum Folkwang, the Museum of Modern Art Shanghai, and the Johannesburg Art Gallery and won awards at the XPOSED Queer Film Festival and the Kurzfilm Festival Hamburg. She is recipient of a 2023-4 Mellon/ACLS Dissertation Innovation Fellowship, the 2023 Amadeu Antonio Foundation Prize and a 2024-5 Krupp Dissertation Fellowship. 

www.nnennaonuoha.com